Works
He wrote in his sixteenth year a poem to the memory of Sir Isaac Newton, which was prefixed by Henry Pemberton to his View of Newton's Philosophy, published in 1728.
In 1737, he published an epic poem in praise of liberty, Leonidas, which was thought to have a special reference to the politics of the time; it was commended by the prince of Wales and his court, it soon passed through several editions. In 1739, Glover published a poem entitled London, or the Progress of Commerce; and in 1740 he published a ballad, Admiral Hosier's Ghost, popular in its day. The ballad's real target was not the Spanish but Sir Robert Walpole.
He was also the author of two tragedies, Boadicea (1753) and Medea (1761), written in close imitation of Greek models. The Athenaid, an epic in thirty books, was published in 1787, and his diary, entitled Memoirs of a distinguished literary and political Character from 1742 to 1757, appeared in 1813.
In May 1774, shortly after the death of Oliver Goldsmith, Glover published his "Authentic Anecdotes" on the poet in The Universal Magazine. Edmund Burke included the piece in The Annual Register for that year, and when Edmond Malone in 1776 worked on a biographical memoir for Poems and Plays by Oliver Goldsmith (1777) he based it on Glover's Anecdotes as well as first-hand information from Dr. Thomas Wilson, Senior Fellow at Trinity College, Dublin.
Read more about this topic: Richard Glover (poet)
Famous quotes containing the word works:
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
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“When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)