Career
He then changed his name to Dix. After his move to Hollywood, he began a career in Western movies. One of the few actors to successfully bridge the transition from silent films to talkies, Dix's best-remembered early role was in Cecil B. Demille's silent version of The Ten Commandments (1923). He was nominated for the Academy Award for Best Actor in 1931 for his performance as Yancey Cravat in Cimarron, in which he shared top-billing with Irene Dunne. Cimarron, based on the popular novel by Edna Ferber, took the Best Picture award. Dix starred in another RKO adventure, The Lost Squadron.
A memorable role for Dix was in the 1935 British futuristic film The Tunnel. An original poster for this film was catalogued with an estimated value of between $2000 – $3000 by Heritage Auction Galleries in Dallas in the Summer of 2006. Dix starred in The Great Jasper and Blind Alibi in the late 1930s. His popular RKO Radio Pictures co-star in Blind Alibi was Ace the Wonder Dog. Dix's human co-stars were Whitney Bourne and Eduardo Ciannelli; the film was directed by Lew Landers. Dix also starred as the homicidal Captain Stone in the Val Lewton production of The Ghost Ship, directed by Mark Robson.
In the 1940s he starred in The Whistler, the first of a series of eight "Whistler" films for Columbia Pictures. Dix retired from acting after making the seventh in the series, The Thirteenth Hour.
Read more about this topic: Richard Dix
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)