Works
His writings are:
- The Privileges of the University of Oxford in point of Visitation (1647)--a tract answered by Prynne in the University of Oxford's Plea Rejected
- 18 sermons whereof 15 preached before the king ... (1669)
- 40 sermons whereof 21 are now first published ... (2 vols., 1684)
- sermons published separately including A Sermon on Acts xiii. 2, (1660)
- A Paraphrase and Annotations upon all the Epistles of St Paul (joint author with Abraham Woodhead and Obadiah Walker, 1675, see edition of 1853 and preface by W Jacobson).
In the Cases of Conscience by Thomas Barlow, Bishop of Lincoln (1692), Allestree's judgment on Mr Cottington's Case of Divorce is included. A share in the composition, if not the sole authorship, of the books published under the name of the author of The Whole Duty of Man has been attributed to Allestree (Nichols's Anecdotes, ii. 603), and the tendency of modern criticism is to regard him as the author. His lectures, with which he was dissatisfied, were not published.
Allestree was a man of extensive learning, of moderate views and a fine preacher. He was generous and charitable, of "a solid and masculine kindness," and of a temper hot, but completely under control.
Read more about this topic: Richard Allestree
Famous quotes containing the word works:
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (1817–1862)
“His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
—Henry David Thoreau (1817–1862)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)