Rex Parade

Rex Parade

Rex (founded 1872) is a New Orleans Carnival Krewe which stages one of the city's most celebrated parades on Mardi Gras Day. Rex is Latin for "King", and Rex reigns as "The King of Carnival".

Rex was organized by New Orleans businessmen in part to put on a spectacle in honor of the New Orleans visit of Grand Duke Alexei Alexandrovich of Russia (remembered locally as "Grand Duke Alexis") during the 1872 Carnival season. Also in the minds of the founders of Rex was the desire to lure tourism and business to New Orleans in the years after the American Civil War.

The Rex parade is put on by an organization called The School of Design.

One member of the Rex Organization is each year chosen to be the monarch of the organization; he is often incorrectly referred to by the (technically redundant) phrase "King Rex". The correct title is simply "Rex". The identity of Rex is made public on Lundi Gras, the day before Mardi Gras. Rex is always a prominent person in the city, one who is usually involved in several philanthropic and civic causes. Being chosen Rex is one of the highest civic honors a person can receive in New Orleans. The Mayor of New Orleans traditionally hands over a symbolic Key to the City of New Orleans to Rex for Mardi Gras Day.

A consort is also chosen each year for Rex, and she is titled the "Queen of Carnival". The queen is always a debutante of the current season. Like Rex, the queen is chosen in the spring of the previous year, and must keep her identity secret until Lundi Gras.

While historically restricted to people of European ancestry for most of its history, Rex had no trouble complying with the 1991 anti-segregation ordinances which ended the parades of the Mistick Krewe of Comus, the Krewe of Proteus (temporarily), and the Knights of Momus. The first Rex, businessman Louis Solomon, was Jewish.

Read more about Rex Parade:  Parade, Ball, "Pro Bono Publico"

Famous quotes containing the word parade:

    Chaucer’s remarkably trustful and affectionate character appears in his familiar, yet innocent and reverent, manner of speaking of his God. He comes into his thought without any false reverence, and with no more parade than the zephyr to his ear.... There is less love and simple, practical trust in Shakespeare and Milton. How rarely in our English tongue do we find expressed any affection for God! Herbert almost alone expresses it, “Ah, my dear God!”
    Henry David Thoreau (1817–1862)