Revolutionary Girl Utena - Music

Music

The series' musical score, by J.A. Seazer, is one of the show's most memorable features. Utena's signature song is "Zettai Unmei Mokushiroku" (Absolute Destiny Apocalypse), which plays every time Utena makes her way to the dueling arena. This song, along with those played during the duels, is composed in a choral rock style. The texture of the chorus is primarily monophonic, although there is some homophony within the inner voices of the chorus. The melody of the chorus is written in transposed Aeolian mode or natural minor. It's also interesting to say that the melody does not use a major five chord at the cadence which is usually the norm for minor mode; it uses a minor five chord instead. The lyrics that often appear to be little more than themed words strung together. While the show's creative team hasn't offered any official explanations of the lyrics, some fan websites suggest interpretations.

The non-vocal background music was composed by Shinkichi Mitsumune, and is largely orchestral in character, though it often features significant jazz influences. One notable song is "The Sunlit Garden," a recurring duet piano piece which plays during nostalgic scenes. Its ubiquity in the series makes it iconic in its own right. Mitsumune also handled the arrangement of the first eight duel choruses.

The soundtrack of Adolescence of Utena is similar in style to the series, containing a mixture of orchestral pieces and choral rock. Masami Okui's track, the J-pop ballad "Toki ni Ai wa" (At Times Love is...), is atypical of the series' sound, although it enjoys considerable popularity among fans.

Read more about this topic:  Revolutionary Girl Utena

Famous quotes containing the word music:

    As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.
    Baruch (Benedict)

    If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.
    Henry David Thoreau (1817–1862)

    During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.”
    —Administration in the State of Texa, U.S. public relief program (1935-1943)