Revolt Against The Modern World

Revolt Against the Modern World: Politics, Religion, and Social Order in the Kali Yuga (Rivolta contro il mondo moderno) is a book by the philosopher and theorist Julius Evola, first published in Italy, in 1934. Widely seen as his magnum opus, it is an elucidation of his Traditionalist world view.

The first part of the book deals with the concepts of the Traditional world; its knowledge of the bridge between the earthly and the transcendent worlds. The second part deals with the modern world, contrasting its characteristics with those of traditional societies: from politics and institutions to views on life and death. Evola denounces the regressive aspects of modern civilisation (using Tradition as a normative principle).

Rivolta contro il mondo moderno was published in Milan by Hoepli in 1934. In 1969 a revised and augmented edition was published. Translated into English by Guido Stucco (from the 1969 edition), it was published by Inner Traditions in 1995 and as a 375-page hardcover (ISBN 0-89281-506-X). It has also been translated into German, Spanish, French, Portuguese, Turkish and Hungarian.

Famous quotes containing the words revolt against the, modern world, revolt against, revolt, modern and/or world:

    I went to a very militantly Republican grammar school and, under its influence, began to revolt against the Establishment, on the simple rule of thumb, highly satisfying to a ten-year-old, that Irish equals good, English equals bad.
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    Let us be aware that while they preach the supremacy of the state, declare its omnipotence over individual man, and predict its eventual domination of all peoples of the earth—they are the focus of evil in the modern world.
    Ronald Reagan (b. 1911)

    I went to a very militantly Republican grammar school and, under its influence, began to revolt against the Establishment, on the simple rule of thumb, highly satisfying to a ten-year-old, that Irish equals good, English equals bad.
    Bernadette Devlin (b. 1947)

    As nature requires whirlwinds and cyclones to release its excessive force in a violent revolt against its own existence, so the spirit requires a demonic human being from time to time whose excessive strength rebels against the community of thought and the monotony of morality ... only by looking at those beyond its limits does humanity come to know its own utmost limits.
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    Much of modern art is devoted to lowering the threshold of what is terrible. By getting us used to what, formerly, we could not bear to see or hear, because it was too shocking, painful, or embarrassing, art changes morals.
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    The fact is, that civilisation requires slaves.... Human slavery is wrong, insecure, and demoralising. On mechanical slavery, on the slavery of the machine, the future of the world depends.
    Oscar Wilde (1854–1900)