Restoration Comedy - Comedies

Comedies

Variety and dizzying fashion changes are typical of Restoration comedy. Even though the "Restoration drama" unit taught to college students is likely to be telescoped in a way that makes the plays all sound contemporary, scholars now have a strong sense of the rapid evolution of English drama over these forty years and of its social and political causes. The influence of theatre company competition and playhouse economics is also acknowledged.

Restoration comedy peaked twice. The genre came to spectacular maturity in the mid-1670s with an extravaganza of aristocratic comedies. Twenty lean years followed this short golden age, although the achievement of Aphra Behn in the 1680s is to be noted. In the mid-1690s a brief second Restoration comedy renaissance arose, aimed at a wider audience. The comedies of the golden 1670s and 1690s peak times are extremely different from each other. An attempt is made below to illustrate the generational taste shift by describing The Country Wife (1675) and The Provoked Wife (1697) in some detail. These two plays differ from each other in some typical ways, just as a Hollywood movie of the 1950s differs from one of the 1970s. The plays are not, however, offered as being "typical" of their decades. Indeed, there exist no typical comedies of the 1670s or the 1690s; even within these two short peak-times, comedy types kept mutating and multiplying.