Instruments of The Renaissance
Many instruments originated during the Renaissance; others were variations of, or improvements upon, instruments that had existed previously. Some have survived to the present day; others have disappeared, only to be recreated in order to perform music of the period on authentic instruments. As in the modern day, instruments may be classified as brass, strings, percussion, and woodwind.
Medieval instruments in Europe had most commonly been used singly, often self accompanied with a drone, or occasionally in parts. During the 15th century there was a division of instruments into Haut (loud, outdoor instruments) and Bas (quieter, more intimate instruments) Only two groups of instruments could play freely in both types of ensembles: the Cornett and sackbut and the Tabor and tambourine.
In the beginning of the 16th century, instruments were considered to be less important than voices. They were used for dances and to accompany vocal music. Instrumental music remained subordinated to vocal music, and much of its repertory was in varying ways derived from or dependent on vocal models.
Read more about this topic: Renaissance Music
Famous quotes containing the words instruments of the, instruments of, instruments and/or renaissance:
“Being the dependents of the general government, and looking to its treasury as the source of all their emoluments, the state officers, under whatever names they might pass and by whatever forms their duties might be prescribed, would in effect be the mere stipendiaries and instruments of the central power.”
—Andrew Jackson (17671845)
“But when to mischiefmortals bend their will,
How soon they find fit instruments of ill!”
—Alexander Pope (16881744)
“The universe appears to me like an immense, inexorable torture-garden.... Passions, greed, hatred, and lies; law, social institutions, justice, love, glory, heroism, and religion: these are its monstrous flowers and its hideous instruments of eternal human suffering.”
—Octave Mirbeau (18501917)
“People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, but, instead, huddled together in traffic jams, bus queues, on escalators and so on. Its a new kind of togetherness which may seem totally alien, but its the togetherness of modern technology.”
—J.G. (James Graham)