Renaissance Architecture - Spread of Renaissance Architecture Beyond Italy

Spread of Renaissance Architecture Beyond Italy

The 16th century saw the economic and political ascendancy of France and Spain, and then later of Holland, England, Germany and Russia. The result was that these places began to import the Renaissance style as indicators of their new cultural position. This also meant that it was not until about 1500 and later that signs of Renaissance architectural style began to appear outside Italy.

Though Italian architects were highly sought after, such as Sebastiano Serlio in France, Aristotile Fioravanti in Russia, and Francesco Fiorentino in Poland, soon, non-Italians were studying Italian architecture and translating it into their own idiom. These included Philibert de l'Orme (1510–1570) in France, Juan Bautista de Toledo (died: 1567) in Spain and Inigo Jones (1573–1652) in England.

Books or ornament prints with engraved illustrations demonstrating plans and ornament were very important in spreading Renaissance styles in Northern Europe, with among the most important authors being Androuet du Cerceau in France, and Hans Vredeman de Vries in the Netherlands, with the German Wendel Dietterlin, in his Architectura of 1593-94, being perhaps the most extreme.

Read more about this topic:  Renaissance Architecture

Famous quotes containing the words spread, renaissance, architecture and/or italy:

    Cap off
    and then what? The brains as
    helpless as oysters in a pint container,
    the nerves like phone wires.
    God, take care, take infinite care
    with the tumor lest it spread like grease.
    Anne Sexton (1928–1974)

    People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, but, instead, huddled together in traffic jams, bus queues, on escalators and so on. It’s a new kind of togetherness which may seem totally alien, but it’s the togetherness of modern technology.
    —J.G. (James Graham)

    I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.
    Roy Lichtenstein (b. 1923)

    Lump the whole thing! Say that the Creator made Italy from designs by Michael Angelo!
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)