Religious vows are the public vows made by the members of religious communities pertaining to their conduct, practices and views.
In the Buddhist tradition, in particular within the Mahayana and Vajrayana tradition, many different kinds of religious vows are taken by the lay community as well as by the monastic community, as they progress along the path of practice. In the monastic tradition of all schools of Buddhism the Vinaya expounds the vows of the fully ordained Nuns and Monks.
In the Christian tradition, such public vows are made by the religious life – cenobitic and eremitic – of the Roman Catholic, Anglican, and Eastern Orthodox Churches, whereby they confirm their public profession of the Evangelical Counsels or Benedictine equivalent. They are regarded as the individual's free response to a call by God to follow Jesus Christ more closely under the action of the Holy Spirit in a particular form of religious living. A person who lives a religious life according to vows they have made is called a votary or a votarist. The religious vow, being a public vow, is binding in Church law. One of its effects is that the person making it ceases to be free to marry. In the Roman Catholic Church, by making a religious vow – whether as a member of a religious community or as a consecrated hermit – one does not become a member of the hierarchy but becomes a member of a unique state of life which is neither Clerical nor Lay, the Consecrated State. Nevertheless, many male members of the Consecrated life are members of the hierarchy, because they are in Holy Orders. The members of some Roman Catholic communities make "recognized private vows", which must not be confused with private vows but are similar to public vows in Church law.
Read more about Religious Vows: In The Western Church, In The Eastern Orthodox Church, Islam
Famous quotes containing the words religious and/or vows:
“American thinking, when it concerns itself with beautiful letters as when it concerns itself with religious dogma or political theory, is extraordinarily timid and superficial ... [I]t evades the genuinely serious problems of art and life as if they were stringently taboo ... [T]he outward virtues it undoubtedly shows are always the virtues, not of profundity, not of courage, not of originality, but merely those of an emasculated and often very trashy dilettantism.”
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