Background
The album took four weeks to record, spaced over several months. Unlike its successor, Zenyatta Mondatta, there was no pressure on the band. Stewart Copeland described it, "We just went into the studio and said, 'Right, who's got the first song?' We hadn't even rehearsed them before we went in."
Against the wishes of A&M, who had wanted to equip the promising band with a bigger studio and more famous producer, the Police opted to again record at Surrey Sound with Nigel Gray. The small budget (between £6,000 and £9,000) was easily covered by the profits of their previous album, Outlandos d'Amour, further ensuring that the record label would have no control over the actual creation of the band's music.
Whereas Outlandos d'Amour had benefited from one of the most prolific songwriting periods of Sting's life, the recording sessions for Regatta de Blanc were so short on new material that the band even considered re-recording "Fall Out" at one point. To fill in the gaps, Sting and Copeland dug up old songs they'd written and used elements of them to create new songs. Much of the lyrics to "Bring on the Night" were recycled from Sting's Last Exit song "Carrion Prince (O Ye of Little Hope)", and "The Bed's Too Big Without You" similarly started as a Last Exit tune, while "Does Everyone Stare" originates from a piano piece Copeland wrote in college.
The album's title is a pseudo-French translation of "white reggae".
Read more about this topic: Reggatta De Blanc
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