Reel (dance) - Reel Music

Reel Music

Reel music is notated in simple meter, either as 2/2 or 4/4. For example the same reel Rakish Paddy is notated in 2/2 time with an alla breve (cut time) time signature in Miles Krassen, O'Neill's Music of Ireland, New & Revisited, p. 158, (1976), whereas in 4/4 time in Robin Williamson, English, Welsh, Scottish & Irish Fiddle Tunes, p. 69, (1976), each measure in both cases spanning the same part of the melody.

All reels have the same structure, consisting largely of quaver (eighth note) movement with an accent on the first and third beats of the bar. A reel is distinguished from a hornpipe by consisting primarily of even beats. Reels usually have two parts (A and B); in most reels each part is repeated (AABB), but in others it is not (ABAB). Each part (A and B) typically has eight bars, which in turn are divisible into four-bar and two-bar phrases. (An exception is the "auld reel" of Shetland which tends to irregular structure and may have been influenced by the Norwegian halling.) The example of Johh Shand performing Mairi's Wedding follows the pattern ABABB, giving a pattern of 40 bars. The group of thirty-two bars (four times eight) is itself repeated three or four times before a second reel is introduced. The grouping of two or more tunes in medleys or "sets" is typical in Celtic dance music. Today many Irish reels are supplemented with new compositions and by tunes from other traditions which are easily adapted as reels. It is the most popular tune-type within the Irish dance music tradition.

Reels are popular in the folk music of South West England. It crossed the Atlantic ocean with Irish and British immigration and thus entered the musical tradition of Atlantic and French-speaking Canada including that of Quebecers and Acadians. Reels are featured in many pieces of Quebec singers and bands; for example: La Bolduc, La Bottine Souriante and even the more modern néo-trad group Les Cowboys Fringants (like the song Mon Pays suivi du Reel des aristocrates).