Materials
Most reeds for woodwind instruments are made from cane, but synthetic reeds are used by a small number of clarinetists, saxophonists, and double reed players, as well as by bagpipers. Synthetic reeds are generally more durable than their natural counterparts and do not need to be moistened prior to playing. Many players consider them to have inferior tone quality.
Recent developments in synthetic reed technology have produced reeds made from synthetic polymer compounds, and as technology in this area has progressed, synthetic reeds have gained more acceptance. Synthetic reeds are useful when the instrument is played intermittently with long breaks in between, during which time a natural reed might become dry.
The dizi, a Chinese transverse flute, has a distinctive kind of reed (a di mo), which is made from a paper-like bamboo membrane.
Read more about this topic: Reed (instrument)
Famous quotes containing the word materials:
“Realism to be effective must be a matter of selection. ... genius chooses its materials with a view to their beauty and effectiveness; mere talent copies what it thinks is nature, only to find it has been deceived by the external grossness of things.”
—Julia Marlowe (1866–1950)
“Young children learn in a different manner from that of older children and adults, yet we can teach them many things if we adapt our materials and mode of instruction to their level of ability. But we miseducate young children when we assume that their learning abilities are comparable to those of older children and that they can be taught with materials and with the same instructional procedures appropriate to school-age children.”
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“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)