Portrayals of Foxx in Popular Media
In the first season of In Living Color, in reference to Foxx's financial troubles, Foxx was portrayed by Damon Wayans, who is making a public service announcement to encourage people to pay their taxes.
In the film Why Do Fools Fall in Love, Foxx is portrayed by Aries Spears. He is shown performing a stand-up comedy routine.
In the animated television series Family Guy parody of Star Wars episode "Blue Harvest", Redd Foxx appears very briefly as an X-wing pilot. When his ship is shot down, he cries "I'm coming Elizabeth!" before dying. In addition to this, he has been parodied on Family Guy as his Sanford and Son character, as have other characters of that show, some shown in the form of Peter Griffin.
Foxx was meant to be featured in the MTV show Celebrity Deathmatch, advertised at taking on Jamie Foxx in the episode "When Animals Attack". Instead of Redd Foxx though, Jamie Foxx fought Ray Charles.
In the Boondocks episode "Stinkmeaner 3: The Hateocracy" he is portrayed as Lord Rufus Crabmiser, one of Stinkmeaner's old friends coming to kill the Freeman family. Childhood friend and Sanford & Son co-star Lawanda Page is also portrayed in the same episode as Lady Esmeralda Gripenasty.
Redd Foxx appears as a minor character in the 2009 James Ellroy novel Blood's a Rover. He gives a bawdy eulogy at the wake of Scotty Bennett, a murdered rogue LAPD detective including the line "Scotty Bennett was fucking a porcupine. I gots to tell you motherfuckers that it was a female porcupine, so I don't see nothing perverted in it."
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“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
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