Style
Like Zhang's later film, The Road Home (1999), Red Sorghum is narrated by the main characters' grandson, but Red Sorghum lacks the flashback framing device of The Road Home (the viewer never sees the narrator).
The cinematography by cinematographer Gu Changwei makes use of rich, intense colors. Zhang himself was a cinematographer prior to his directorial debut, and worked closely with Gu.
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“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone elses style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
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