Production
Red River was filmed in 1946 but not released until September 30, 1948. Footage from Red River was later incorporated into the opening montage of Wayne's last film, The Shootist, to illustrate the backstory of Wayne's character. The film was nominated for Academy Awards for Best Film Editing (Christian Nyby) and Best Writing, Motion Picture Story. In 1990, Red River was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." John Ford—who worked with Wayne on many films (such as The Searchers, Stagecoach, and The Man Who Shot Liberty Valance)—was so impressed with Wayne's performance that he is reported to have said, "I didn’t know the big son of a bitch could act!" In June 2008, AFI listed Red River as the fifth-best film in the western genre.
The character name Cherry Valance was also later used in the novel The Outsiders.
The character name Matthew Garth was also later used in the movie Midway.
In the 1971 Peter Bogdonovich film "The Last Picture Show", the final movie shown in the movie theatre is "Red River", which was changed from "The Kid From Texas" in Larry McMurty's book.
Read more about this topic: Red River (1948 film)
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)