Reclaiming History - Critical and Commercial Reception

Critical and Commercial Reception

In a review for The New York Times, Bryan Burrough wrote: "Bugliosi is refreshing because he doesn’t just pick apart the conspiracy theorists. He ridicules them, and by name, writing that 'most of them are as kooky as a $3 bill.'" Alex Kingsbury of the U.S. News & World Report described it as "the most exhaustive of the countless narratives that have been written about that fateful day in Dallas." According to Steve Donoghue of Open Letters Monthly: "Reclaiming History, in addition to being the longest book ever written on the subject of the Kennedy assassination, is also the most enjoyable of them all to read." Tim Shipman of The Telegraph said: "Mr Bugliosi... has turned up no new killer fact. His technique instead is to expose the double-think and distortions of the conspiracy theorists."

Reviewing the book for Salon, David Talbot charged that "the skin-deep nature of Bugliosi’s research is striking" and that he is "guilty of cooking the facts to make his case". James H. Fetzer contended that "Bugliosi has misled his readers by lies, omissions, and deliberate distortions, where, in particular, when confronted with evidence that is incompatible with his own—official but fanciful—theory, he either twists, warps, and distorts the evidence or simply ignores it. His key claims are not merely provably false but, in crucial cases, not even physically possible.."

Read more about this topic:  Reclaiming History

Famous quotes containing the words critical, commercial and/or reception:

    The principle goal of education in the schools should be creating men and women who are capable of doing new things, not simply repeating what other generations have done; men and women who are creative, inventive and discoverers, who can be critical and verify, and not accept, everything they are offered.
    Jean Piaget (1896–1980)

    A commercial society whose members are essentially ascetic and indifferent in social ritual has to be provided with blueprints and specifications for evoking the right tone for every occasion.
    Marshall McLuhan (1911–1980)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)