Open Air Theatre and Performance
The ruins of Reading Abbey have a history of live performance. From early impromptu artist-led events, the site has established a history of open air theatre.
In the late 1980s, the food art and performance collective 'La Grande Bouche' organised a cabaret under marquee in the ruins. The evening offered music and performance acts combined with food, much of which cooked by contributing performers.
In 1994, a large scale performance event 'From the Ruins' was held in the abbey ruins, the finale event for the 'Art in Reading' (AIR) festival, funded in part by Reading Borough Council. This was organised by and featured a large number of artists and performers living or working in Reading, and combined specially created music, dance, paintings, poetry and culminated in a spectacular evening performance involving large scale puppetry and pyrotechnics loosely based upon the history of Reading Abbey from the foundation by William I through the rise of the merchant classes to the dissolution and eventual sacking of the Abbey under Henry VIII.
In 1995, the ruined South Transept was used as the setting for the first Abbey Ruins Open Air Shakespeare production by MDM Productions and Progress Theatre in partnership with Reading Borough Council. In 1996, the outdoor production moved to the ruined chapter house and since 1999 has been staged by Progress Theatre in partnership with Reading Borough Council. This annual event expanded to the Reading Abbey Ruins Open Air Festival in 2007.
Because of the current access limitations, the 2009 and 2010 Open Air Festivals could not be held.
Read more about this topic: Reading Abbey
Famous quotes containing the words open, air, theatre and/or performance:
“Speech and silence. We feel safer with a madman who talks than with one who cannot open his mouth.”
—E.M. Cioran (b. 1911)
“Spread outward. Crack the round dome. Break through.
Have liberty not as the air within a grave
Or down a well. Breathe freedom, oh, my native,
In the space of horizons that neither love nor hate.”
—Wallace Stevens (18791955)
“The theatre is supremely fitted to say: Behold! These things are. Yet most dramatists employ it to say: This moral truth can be learned from beholding this action.”
—Thornton Wilder (18971975)
“When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.”
—Raymond Chandler (18881959)