Open Air Theatre and Performance
The ruins of Reading Abbey have a history of live performance. From early impromptu artist-led events, the site has established a history of open air theatre.
In the late 1980s, the food art and performance collective 'La Grande Bouche' organised a cabaret under marquee in the ruins. The evening offered music and performance acts combined with food, much of which cooked by contributing performers.
In 1994, a large scale performance event 'From the Ruins' was held in the abbey ruins, the finale event for the 'Art in Reading' (AIR) festival, funded in part by Reading Borough Council. This was organised by and featured a large number of artists and performers living or working in Reading, and combined specially created music, dance, paintings, poetry and culminated in a spectacular evening performance involving large scale puppetry and pyrotechnics loosely based upon the history of Reading Abbey from the foundation by William I through the rise of the merchant classes to the dissolution and eventual sacking of the Abbey under Henry VIII.
In 1995, the ruined South Transept was used as the setting for the first Abbey Ruins Open Air Shakespeare production by MDM Productions and Progress Theatre in partnership with Reading Borough Council. In 1996, the outdoor production moved to the ruined chapter house and since 1999 has been staged by Progress Theatre in partnership with Reading Borough Council. This annual event expanded to the Reading Abbey Ruins Open Air Festival in 2007.
Because of the current access limitations, the 2009 and 2010 Open Air Festivals could not be held.
Read more about this topic: Reading Abbey
Famous quotes containing the words open, air, theatre and/or performance:
“The young women, what can they not learn, what can they not achieve, with Columbia University annex thrown open to them? In this great outlook for womens broader intellectual development I see the great sunburst of the future.”
—M. E. W. Sherwood (18261903)
“People who live together naturally catch the looks and air of one another and without having one feature alike, they contract a something in the whole countenance which strikes one as a resemblance.”
—Frances Burney (17521840)
“Mankinds common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, lifes supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a mans frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (18421910)
“The child to be concerned about is the one who is actively unhappy, [in school].... In the long run, a childs emotional development has a far greater impact on his life than his school performance or the curriculums richness, so it is wise to do everything possible to change a situation in which a child is suffering excessively.”
—Dorothy H. Cohen (20th century)