Raymond Chandler - Praise For Chandler's Work

Praise For Chandler's Work

“Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence.” –Ross Macdonald

“Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since.” –Paul Auster

“The prose rises to heights of unselfconscious eloquence, and we realize with a jolt of excitement that we are in the presence of not a mere action-tale teller, but a stylist, a writer with a vision … The reader is captivated by Chandler’s seductive prose.” –Joyce Carol Oates, New York Review of Books

“Chandler is one of my favorite writers. His books bear rereading every few years. The novels are a perfect snapshot of an American past, and yet the ruined romanticism of the voice is as fresh as if they were written yesterday.” –Jonathan Lethem

“Chandler seems to have invented our post-war dream lives—the tough but tender hero, the dangerous blonde, the rain-washed sidewalks, and the roar of the traffic (and the ocean) in the distance … Chandler is the classic lonely romantic outsider for our times, and American literature, as well as English, would be the poorer for his absence.” –Pico Iyer

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    Everything here below beneath the sun is subject to continual change; and perhaps there is nothing which can be called more inconstant than opinion, which turns round in an everlasting circle like the wheel of fortune. He who reaps praise today is overwhelmed with biting censure tomorrow; today we trample under foot the man who tomorrow will be raised far above us.
    —E.T.A.W. (Ernst Theodor Amadeus Wilhelm)

    It is pretty obvious that the debasement of the human mind caused by a constant flow of fraudulent advertising is no trivial thing. There is more than one way to conquer a country.
    —Raymond Chandler (1888–1959)

    You should go to picture-galleries and museums of sculpture to be acted upon, and not to express or try to form your own perfectly futile opinion. It makes no difference to you or the world what you may think of any work of art. That is not the question; the point is how it affects you. The picture is the judge of your capacity, not you of its excellence; the world has long ago passed its judgment upon it, and now it is for the work to estimate you.
    Anna C. Brackett (1836–1911)