History
The initial development of typefaces for the printing press was often anchored in a pre-existing manuscript culture. In the case of the Hebrew press, Ashkenazi tradition prevailed and square or block letters were cast for Biblical and other important works. Secondary religious text, for example rabbinic commentaries, was however commonly set with a semi-cursive form of Sephardic origin. This was ultimately normalized as the Rashi typeface.
A corresponding but distinctive semi-cursive typeface was used for printing Yiddish. This was termed vaybertaytsh, where the Yiddish word vayber mean "women's", and taytsh means to render something intelligible in Yiddish. (Works printed in vaybertaytsh were largely intended for a female readership.)
Read more about this topic: Rashi Script
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—Emma Goldman (1869–1940)
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
—John Dos Passos (1896–1970)
“History is more or less bunk. It’s tradition. We don’t want tradition. We want to live in the present and the only history that is worth a tinker’s damn is the history we make today.”
—Henry Ford (1863–1947)