Rapid Eye Movement Sleep - Theories About The Function of Rapid Eye Movements

Theories About The Function of Rapid Eye Movements

According to "scanning hypothesis" the directional properties of REM sleep eye movements are related to shifts of gaze in dream imagery. Against this hypothesis is that such eye movements occur in those born blind and in fetuses in spite of lack of vision. Also, binocular REMs are non-conjugated and so lack a fixation point. In support, research finds that in goal-oriented dreams, eye gaze is directed towards the action described by the dreamer.

Other theories are that they lubricate the cornea, warm the brain, stimulate and stabilize the neural circuits that have not been activated during waking, create internal stimulation to aid development of the CNS, or lack any purpose, being random creation of brain activation.

Read more about this topic:  Rapid Eye Movement Sleep

Famous quotes containing the words theories, function, rapid, eye and/or movements:

    Our books of science, as they improve in accuracy, are in danger of losing the freshness and vigor and readiness to appreciate the real laws of Nature, which is a marked merit in the ofttimes false theories of the ancients.
    Henry David Thoreau (1817–1862)

    The art of living is to function in society without doing violence to one’s own needs or to the needs of others. The art of mothering is to teach the art of living to children.
    Elaine Heffner (20th century)

    The art of watching has become mere skill at rapid apperception and understanding of continuously changing visual images. The younger generation has acquired this cinematic perception to an amazing degree.
    Johan Huizinga (1872–1945)

    When a man speaks the truth in the spirit of truth, his eye is as clear as the heavens. When he has base ends, and speaks falsely, the eye is muddy and sometimes asquint.
    Ralph Waldo Emerson (1803–1882)

    To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?
    Rémy De Gourmont (1858–1915)