Rapid Eye Movement Sleep - Theories About The Function of Rapid Eye Movements

Theories About The Function of Rapid Eye Movements

According to "scanning hypothesis" the directional properties of REM sleep eye movements are related to shifts of gaze in dream imagery. Against this hypothesis is that such eye movements occur in those born blind and in fetuses in spite of lack of vision. Also, binocular REMs are non-conjugated and so lack a fixation point. In support, research finds that in goal-oriented dreams, eye gaze is directed towards the action described by the dreamer.

Other theories are that they lubricate the cornea, warm the brain, stimulate and stabilize the neural circuits that have not been activated during waking, create internal stimulation to aid development of the CNS, or lack any purpose, being random creation of brain activation.

Read more about this topic:  Rapid Eye Movement Sleep

Famous quotes containing the words theories, function, rapid, eye and/or movements:

    The wise man regulates his conduct by the theories both of religion and science. But he regards these theories not as statements of ultimate fact but as art-forms.
    —J.B.S. (John Burdon Sanderson)

    “... The state’s one function is to give.
    The bud must bloom till blowsy blown
    Its petals loosen and are strown;
    And that’s a fate it can’t evade
    Unless ‘twould rather wilt than fade.”
    Robert Frost (1874–1963)

    In a time of confusion and rapid change like the present, when terms are continually turning inside out and the names of things hardly keep their meaning from day to day, it’s not possible to write two honest paragraphs without stopping to take crossbearings on every one of the abstractions that were so well ranged in ornate marble niches in the minds of our fathers.
    John Dos Passos (1896–1970)

    A good metaphor is something even the police should keep an eye on.
    —G.C. (Georg Christoph)

    To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?
    Rémy De Gourmont (1858–1915)