Select Filmography
- Good Morning Boys (1937)
- Oh, Mr Porter! (1937)
- Hey! Hey! USA! (1938)
- Ask a Policeman (1938)
- In Which We Serve (1942)
- We Dive at Dawn (1943)
- Love Story (1944) (G)
- The Way Ahead (1944)
- Henry V (1945) (TC)
- The Way to the Stars (1945) (TC)
- Brief Encounter (1945) (C)
- I Know Where I'm Going! (1945) (A)
- Great Expectations (1946) (C)
- A Matter of Life and Death (1946) (A)
- I See a Dark Stranger (1946) (I)
- Green for Danger (1946) (I)
- Take My Life (1947) (C)
- Black Narcissus (1947) (A)
- Odd Man Out (1947) (TC)
- London Belongs to Me (1948) (I)
- Blanche Fury (1948) (C)
- The Red Shoes (1948) (A)
- Oliver Twist (1948) (C)
- Miranda (1948)
- Hamlet (1948)
- Boys in Brown (1949) (GB)
- The Blue Lagoon (1949) (I)
- The History of Mr Polly (1949)
- Christopher Columbus (1949)
- The Passionate Friends (1949) (C)
- Madeleine (1950) (C)
- The Browning Version (1951)
- Curtain Up (1952)
- Penny Princess (1952)
- Genevieve (1953)
- The Malta Story (1953)
- Romeo and Juliet (1954)
- Doctor in the House (1954) (BB)
- Simba (1955)
- An Alligator Named Daisy (1955)
- Above Us the Waves (1955)
- Simon and Laura (1955)
- To Paris With Love (1955)
- Doctor at Sea (1955) (BB)
- Reach for the Sky (1956)
- The Black Tent (1956)
- A Town Like Alice (1956)
- The Spanish Gardener (1956)
- The Battle of the River Plate (1956) (A)
- Campbell's Kingdom (1957) (BB)
- Ill Met By Moonlight (1957) (A)
- The One That Got Away (1957)
- Robbery Under Arms (1957)
- Doctor at Large (1957) (BB)
- A Tale of Two Cities (1958) (BB)
- Carve Her Name with Pride (1958)
- The Wind Cannot Read (1958) (BB)
- Sea of Sand (1958)
- Nor the Moon by Night (1958)
- Windom's Way (1958)
- Operation Amsterdam (1959)
- SOS Pacific (1959)
- Upstairs and Downstairs (1959) (BB)
- Value for Money (1959)
- Conspiracy of Hearts (1960) (BB)
- Doctor in Love (1960) (BB)
- Make Mine Mink (1960)
- Ferry to Hong Kong (1960)
- Flame in the Streets (1961)
- The Singer Not the Song (1961)
- No Love for Johnnie (1962) (BB)
- Tiara Tahiti (1962)
- The Wild and the Willing (1962) (BB)
- Doctor in Distress (1963) (BB)
- Hot Enough for June (1964) (BB)
- The High Bright Sun (1965) (BB)
- The Ipcress File (1965)
- I Was Happy Here (1966)
- Sky West and Crooked (1966)
- Doctor in Clover (1966) (BB)
- The Long Duel (1967)
- Follow That Camel (1967)
- Carry on Doctor (1967)
- Deadlier Than the Male (1967) (BB)
- Nobody Runs Forever (1968) (BB)
- Carry on... Up the Khyber (1968)
- Subterfuge (1968)
- Some Girls Do (1969) (BB)
- Carry on Camping (1969)
- Ring of Bright Water (1969)
- The Royal Hunt of the Sun (1969)
- Carry on Again Doctor (1969)
- Doctor in Trouble (1970) (BB)
- The World at Their Feet (1970) (documentary)
- Twinky (1970)
- Carry on Up the Jungle (1970)
- Carry on Loving (1970)
- Please Sir! (1971)
- Countess Dracula (1971) (H)
- Carry on Henry (1971)
- Twins of Evil (1971) (H)
- Carry on at Your Convenience (971)
- Rentadick (1972)
- Bless This House (1972)
- 'Antony and Cleopatra (1972)
- Vampire Circus (1972) (H)
- Carry on Matron (1972)
- That's Your Funeral (1972)
- Go for a Take (1972)
- Carry on Abroad (1972)
- The Belstone Fox (1973)
- Carry on Girls (1973)
- Carry on Dick (1974)
- I Don't Want to Be Born (1975)
- Carry on Behind (1975)
- Deadly Strangers (1975)
- Bugsy Malone (1976)
- Carry on England (1977)
- Wombling Free (1977)
- To See Such Fun (1977) (documentary)
- Age of Innocence (1977)
- The Uncanny (1977)
- Soldier of Orange (1977) (co-prod)
- Power Play (1978) (co-prod)
- The Shout (1978)
- The Thirty Nine Steps (1978)
- The Human Factor (1979)
- That's Carry On (1979) (documentary)
- The Riddle of the Sands (1979)
- The Lady Vanishes (1979) (H)
- Eagle's Wing (1979)
- Bad Timing (1980)
- Silver Dream Racer (1980)
A = The Archers
BB Betty E. Box-Ralph Thomas Productions
C = Cineguild Productions
GB = Gainsborough Pictures
H = Hammer Studios
I = Individual Pictures
TC = Two Cities Films
Read more about this topic: Rank Organisation
Famous quotes containing the word select:
“The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.”
—Orson Welles (19151984)
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