Music
The original scores for the first three films were composed and conducted by Jerry Goldsmith. The music from the first and second films was performed by the National Philharmonic Orchestra and the music from the third by the Hungarian State Opera Orchestra. Goldsmith's main theme for Rambo was the basis for the end title song "It's A Long Road", performed by Dan Hill, part of the First Blood soundtrack.
The music for the first film is harsher and more dissonant than that for the sequels, as is keeping with the tone of the film. As such, it bears more of a resemblance to Goldsmith's output of the 1960s and 1970s than it does most of his work in the 1980s. The first film's score does use electronics but is primarily orchestral while the sequel scores incorporate heavier use of electronics. The second film's score is the most popular, being that it is the most exciting. The music in the third film is an extension of the style used in the second, but with a few new themes. Both sequels feature new themes for Rambo that are based on elements found in the original "It's a Long Road" theme, which is also heard in its original form in each film as well.
Because Goldsmith died in 2004, film composer Brian Tyler (The Fast and the Furious: Tokyo Drift, War, Aliens vs. Predator: Requiem) scored the fourth film. He reassured fans at the time of Goldsmith's death that his score would be based on Goldsmith's cues for the first three First Blood/Rambo pictures.
The 2008 film, Rambo, was advertised with Drowning Pool's "Bodies" and features two songs in the film written and performed by Jake La Botz, who portrays the mercenary "Reese" in the movie.
The theme music for 1986 animated TV series, Rambo and the Forces of Freedom, came from a trailer for First Blood, whilst additional music was composed by Shuki Levy and Haim Saban.
Read more about this topic: Rambo (film Series)
Famous quotes containing the word music:
“He turned out to belong to the type of publisher who dreams of becoming a male muse to his author, and our brief conjunction ended abruptly upon his suggesting I replace chess by music and make Luzhin a demented violinist.”
—Vladimir Nabokov (1899–1977)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“I am advised to give her music a’ mornings; they say it will
penetrate.”
—William Shakespeare (1564–1616)