Experimental Films
During the years between his trilogy, from Satya in 1998 to D in 2005, Varma experimented with different film genres. In 1999, he directed Kaun, a suspense thriller set entirely in one house and featuring only three actors, and Mast, a subversion of the Hindi cinema's masala genre. In 2000, he directed Jungle, set entirely in a jungle, for which he was nominated for the Star Screen Award for Best Director.
Following the success of Company in 2002, Varma's next film as director was Bhoot (2003), a psychological horror film, which was a major success. It starred Ajay Devgan and Urmila Matondkar, who earned a number of awards for her performance. Varma himself was nominated for the Filmfare Best Director Award for the film.
Following the success of Bhoot, Varma produced two other experimental films: Sriram Raghavan's Ek Hasina Thi (2003), a psychological thriller, and Shimit Amin's Ab Tak Chhappan (2004), a film about an inspector in the Mumbai Encounter Squad famous for having killed 56 people in police encounters.
Read more about this topic: Ram Gopal Varma
Famous quotes containing the words experimental and/or films:
“Philosophers of science constantly discuss theories and representation of reality, but say almost nothing about experiment, technology, or the use of knowledge to alter the world. This is odd, because ‘experimental method’ used to be just another name for scientific method.... I hope [to] initiate a Back-to-Bacon movement, in which we attend more seriously to experimental science. Experimentation has a life of its own.”
—Ian Hacking (b. 1936)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)