Creation and Design
In Ralph's first credited appearance in the show, the episode "Moaning Lisa", he was considerably different in both appearance and behavior from his later appearance. The original Ralph design makes a cameo appearance in the episodes "Sweet Seymour Skinner's Baadasssss Song" and "Bart's Comet" as well as in Simpsons Comics #59, implying the design to be a separate character now. Ralph's modern design first appeared in the second season episode "Homer vs. Lisa and the 8th Commandment", and in a couple of episodes after this Ralph can be caught speaking with a voice similar to that of Nelson Muntz's, before acquiring the higher pitched voice that would become permanent after. Originally intended to be a "Mini-Homer", Ralph eventually took on a life of his own. The staff figured that he would also fit perfectly as the son of Chief Wiggum, a fact made canon in "I Love Lisa", (although he is referred to by his last name of Wiggum in "Kamp Krusty" before). Ralph was named after comedian Jackie Gleason's character on The Honeymooners Ralph Kramden. Matt Groening considers any lines for Ralph "really hard to write." Nancy Cartwright raises her eyebrows whenever she performs Ralph's voice.
Ralph's normal attire usually consists of a blue long sleeve shirt with a collar, a belt with a red buckle, and brown pants. However, almost all Simpsons related media and merchandise including the comic book often portray Ralph with white or light gray colored pants instead similar to how Bart is occasionally depicted with a blue shirt instead of his standard orange shirt. Ralph's "stringy" hair is meant to be drawn to make the shape of a bowl-cut. In one particular issue of the comic book, Ralph appears along with other Springfield residents drawn in a realistic style which depicts him with blonde hair, implying that the hair lines are meant to be a silhouette of a blonde bowl-cut. Adult Ralph in Bart to the Future also has light brown hair.
Read more about this topic: Ralph Wiggum
Famous quotes containing the words creation and/or design:
“Since we are assured that the all-wise Creator has observed the most exact proportions of number, weight and measure in the make of all things, the most likely way therefore to get any insight into the nature of those parts of the Creation which come within our observation must in all reason be to number, weigh and measure.”
—Stephen Hales (1677–1761)
“Teaching is the perpetual end and office of all things. Teaching, instruction is the main design that shines through the sky and earth.”
—Ralph Waldo Emerson (1803–1882)