Ralf Dahrendorf - Relationship To Other Classical Theorists, and Perspectives

Relationship To Other Classical Theorists, and Perspectives

Unlike many of the other works published by social theorists in the 1950s, Dahrendorf’s work acknowledges the same class interests that worried Marx . Like Marx, Dahrendorf agreed that conflict is still a basic fact of social life. Dahrendorf believed that class conflict could have beneficial consequences for society, such as progressive change. Dahrendorf is recognized for being one of the best departures from the structural functionalist tradition of the 1950s. Dahrendorf criticized and wanted to challenge the “false, utopian representation of societal harmony, stability, and consensus by the structural functionalist school.” Nevertheless, Dahrendorf still shares key ideas with structural functionalists, such as a general faith in the efficacy of political and economic institutions. Like Weber, Dahrendorf criticizes Marx’s view that the working class will ultimately become a homogeneous group of unskilled machine operators. Dahrendorf points out that in postcapitalist society there are elaborate distinctions regarding income, prestige, skill level, and life chances. Dahrendorf’s pluralist view of class and power structures and belief that hierarchies of authority are inevitable in modern societies also reflect Weberian ideas.

Read more about this topic:  Ralf Dahrendorf

Famous quotes containing the words relationship to, relationship and/or classical:

    ... the Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
    Adrienne Rich (b. 1929)

    The relationship between mother and professional has not been a partnership in which both work together on behalf of the child, in which the expert helps the mother achieve her own goals for her child. Instead, professionals often behave as if they alone are advocates for the child; as if they are the guardians of the child’s needs; as if the mother left to her own devices will surely damage the child and only the professional can rescue him.
    Elaine Heffner (20th century)

    Classical art, in a word, stands for form; romantic art for content. The romantic artist expects people to ask, What has he got to say? The classical artist expects them to ask, How does he say it?
    —R.G. (Robin George)