Theater Career
In 1967, Fassbinder joined the Munich action-theater where he was active as an actor, director and script writer. After two months, he became the company's leader. In April 1968 Fassbinder directed the premiere production of his play: Katzelmacher, the story a foreign worker from Greece who becomes the object of intense racial, sexual, and political hatred among a group of Bavarian slackers. A few weeks later, in May 1968, the Action Theater was disbanded after its theater was wrecked by one of its founders, jealous of Fassbinder's growing power within the group. It promptly reformed as the Anti-Theater (antiteater) under Fassbinder's direction. The troupe lived and performed together. The knit group of young actors, included among them Fassbinder, Peer Raben, Harry Baer and Kurt Raab, who along with Hanna Schygulla and Irm Hermann, became the most important members of his cinematic stock company. Working with the Anti-Theater, Fassbinder would learn writing, directing, acting, and from which he would cull his own repertory group. Even in this period, Fassbinder productivity was remarkable. In the space of eighteen months he directed twelve plays, of these he wrote four himself and rewrote five others.
The style of his stage directing closely resembled that of his early films, a mixture of choreographed movement and static poses, taking its cues not from the traditions of stage theater, but from musicals, cabaret, films and the student protest movement.
After he made his earliest feature films in 1969 Fassbinder centered his efforts in his career as film director, but he maintained an intermittent foothold in the theater until his death. He worked in various productions throughout Germany and made a number of radio plays in the early 1970s. In 1974 Fassbinder took directorial control over the Theater am Turm (TAT) of Frankfurt, when this project ended in failure and controversy, Fassbinder became less interested in the theater.
Read more about this topic: Rainer Werner Fassbinder
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