Radio Flyer - History

History

Antonio Pasin started building wooden toy wagons in Chicago in 1917, selling them to area shops. His business grew until the Liberty Coaster Company, named in honour of the Statue of Liberty was formed in 1923. In 1930, the company was renamed Radio Steel & Manufacturing. The renamed company produced steel-bodied wagons and used assembly line manufacturing techniques. The new Radio Flyer wagons were named for Pasin's fascination with radio and with flight. In 1933 Chicago was the host of the World's Fair, Century of Progress, and Radio Steel was asked to be a part of the celebration. Antonio Pasin took on major debt to fund the construction of a 45 foot tall wood and plaster Coaster Boy statue depicting a boy riding a Liberty Coaster wagon. Below the Coaster Boy exhibit Pasin sold miniatures for 25 cents. During World War II, steel was essential war materiel; from 1942–1945, the company shifted production to portable five gallon Blitz cans for the US Army.

In 1987, Radio Steel changed its name to Radio Flyer after its popular flagship little red wagon. Today, the company produces a wide range of children's products, including scooters, bicycles, tricycles, ride-ons, horses, and wagons. Robert Pasin, Antonio's grandson, has been CEO since 1997.

Read more about this topic:  Radio Flyer

Famous quotes containing the word history:

    All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.
    Sarah M. Grimke (1792–1873)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    When the coherence of the parts of a stone, or even that composition of parts which renders it extended; when these familiar objects, I say, are so inexplicable, and contain circumstances so repugnant and contradictory; with what assurance can we decide concerning the origin of worlds, or trace their history from eternity to eternity?
    David Hume (1711–1776)