Organ
The Music Hall's "Mighty Wurlitzer" pipe organ is the largest theater pipe organ built for a movie theater. Identical consoles with four manuals (keyboards) are installed on both sides of the Great Stage. Each console operates independently, with the one on the audience's left being the primary one of the two. The organ's 4,410 pipes are installed in chambers on either side of the proscenium's arch. Installed in 1932, the instrument was the largest produced by the Rudolph Wurlitzer Manufacturing Company of North Tonawanda, New York; it was built as a serious concert instrument rather than to accompany silent movies, capable of playing many styles of music including classical organ literature. A total rebuild of the historic organ was completed in time for the theater's restoration in 1999. A smaller Wurlitzer organ was installed in the theater's radio studios, but was put into storage when the studio was converted into office space. Dick Leibert was the first organist at Radio City Music Hall. He worked there for many years and met his wife, Rosemarie (Bruns) Leibert, who was a Rockette. He died in October 22, 1976 at the age of 73. He is still known for his wonderful work, such as "Come Dance With Me" which he wrote for his wife. He was a "master of segue" (transitioning between one song to another).
Read more about this topic: Radio City Music Hall
Famous quotes containing the word organ:
“But alas! I never could keep a promise. I do not blame myself for this weakness, because the fault must lie in my physical organization. It is likely that such a very liberal amount of space was given to the organ which enables me to make promises, that the organ which should enable me to keep them was crowded out. But I grieve not. I like no half-way things. I had rather have one faculty nobly developed than two faculties of mere ordinary capacity.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“What we commonly call man, the eating, drinking, planting, counting man, does not, as we know him, represent himself, but misrepresents himself. Him we do not respect, but the soul, whose organ he is, would he let it appear through his action, would make our knees bend.”
—Ralph Waldo Emerson (1803–1882)
“And this mighty master of the organ of language, who knew its every stop and pipe, who could awaken at will the thin silver tones of its slenderest reeds or the solemn cadence of its deepest thunder, who could make it sing like a flute or roar like a cataract, he was born into a country without literature.”
—Willa Cather (1873–1947)