Novels
Hall's first novel was The Unlit Lamp, the story of Joan Ogden, a young girl who dreams of setting up a flat in London with her friend Elizabeth (a so-called Boston marriage) and studying to become a doctor, but feels trapped by her manipulative mother's emotional dependence on her. Its length and grimness made it a difficult book to sell, so she deliberately chose a lighter theme for her next novel, a social comedy entitled The Forge. While she had used her full name for her early poetry collections, she shortened it to M. Radclyffe Hall for The Forge. The book was a modest success, making the bestseller list of John O'London's Weekly. The Unlit Lamp, which followed it into print, was the first of her books to give the author's name simply as Radclyffe Hall.
There followed another comic novel, A Saturday Life (1925), and then Adam's Breed (1926), a novel about an Italian headwaiter who, becoming disgusted with his job and even with food itself, gives away his belongings and lives as a hermit in the forest. The book's mystical themes have been compared to Hermann Hesse's Siddhartha. It sold very well, was critically acclaimed, and won both the Prix Femina and the James Tait Black Prize, a feat previously achieved only by E. M. Forster's A Passage to India.
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Famous quotes containing the word novels:
“Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.”
—Ralph Waldo Emerson (1803–1882)
“Of all my novels this bright brute is the gayest.”
—Vladimir Nabokov (1899–1977)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)