Career
Rachel Bolan founded Skid Row in 1986 with guitarist Dave "The Snake" Sabo. Bolan has appeared as a vocalist on two of Kiss guitarist Ace Frehley's solo albums, back-up vocals on Mötley Crüe's Dr. Feelgood album. He has produced numerous bands including the Luchagors in 2007 with former WWE superstar Amy "Lita" Dumas and Atlantic Records stoner metal band Godspeed. He formed the band Prunella Scales with Solace guitarist Tommy Southard and L. Wood. Prunella Scales released "Dressing up the Idiot" on Mutiny Records in 1997. Jack Roberts (guitar) and Ray Kubian (drums), both from the New Jersey-based band, Mars Needs Women, joined Prunella Scales for touring. Recently, he played the bass guitar for Stone Sour on the band's new record as a replacement for the departed bassist Shawn Economaki. He also can be seen playing bass in TRUSTcompany music video for the single "Heart in My Hands".
Bolan has another side project called The Quazimotors with Skid Row drummer Rob Hammersmith, Jonathan Callicutt and Evil Jim Wright (guitarist for Spectremen, BigFoot, Road Hawgs).
He drives racecars in his free time. He competes in high performance go-karts, Legends Cars, Thunder Roadster and Pro-Challenge series cars.
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Famous quotes containing the word career:
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)