Career
Raaj Kumar started his career as an Inspector at Mahim police station, Mumbai. It is said that he never saluted his senior officers. Later he turned to movies.
Raaj Kumar was noticed in his earlier films like Rangeeli, Aabshar, Ghamand, and Lakhon Mein Ek, but it was as Prince Naushazad in Sohrab Modi’s Naushervan-e-Adil that he became famous. In his brief role as the husband of Nargis in Mother India, he achieved prominence. He followed this with the unglamorous role of a mill worker in Paigham. He was cast with Sunil Dutt, Shashi Kapoor and Balraj Sahni in B.R. Chopra’s Waqt. In Sridhar’s Dil Ek Mandir, Raaj Kumar essayed the role of a cancer patient.
He also won the Filmfare Award in Best supporting actor category for movies Dil Ek Mandir and Waqt. He was famous for his very stylish dialogue delivery in a God gifted baritone voice. He had mastery over Urdu language. At more than six feet tall and with that loaded baritone voice, his name seems a perfect match to his personality.
Renowned for his impeccable dialogue delivery and most of his dialogues became proverbs and he addressed everyone as "Jaani"
His acting and dialogue delivery was so marvellous that actors like Amitabh Bachchan could not earn courage to work with him even for once in fear that Raj Kumar would pulverise him in the film.
From his screen debut in Rangeeli to God & Gun, his was a fruitful journey of memorable characters in 60-odd films.
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Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)