Mode Differences and Examples
One prominent difference between quirks and standards modes is the handling of the CSS Internet Explorer box model bug. Before version 6, Internet Explorer used an algorithm for determining the width of an element's box which conflicted with the algorithm detailed in the CSS specification, and due to Internet Explorer's popularity many pages were created which relied upon this non-standard algorithm. As of version 6, Internet Explorer uses the CSS specification's algorithm when rendering in standards mode and uses the previous, non-standard algorithm when rendering in quirks mode.
Another notable difference is the vertical alignment of certain types of inline content; many older browsers aligned images to the bottom border of their containing box, although the CSS specification requires that they be aligned to the baseline of the text within the box. In standards mode, Gecko-based browsers will align to the baseline, and in quirks mode they will align to the bottom.
Additionally, many older browsers did not implement inheritance of font styles within tables; as a result, font styles had to be specified once for the document as a whole, and again for the table, even though the CSS specification requires that font styling be inherited into the table. If the font sizes are specified using relative units, a standards-compliant browser would inherit the base font size, then apply the relative font size within the table: for example, a page which declared a base font size of 80% and a table font size of 80% (to ensure a size of 80% in browsers which do not properly inherit font sizes) would, in a standards-compliant browser, display tables with a font size of 64% (80% of 80%). As a result, browsers typically do not inherit font sizes into tables in quirks mode.
Read more about this topic: Quirks Mode
Famous quotes containing the words mode, differences and/or examples:
“That the mere matter of a poem, for instance—its subject, its given incidents or situation; that the mere matter of a picture—the actual circumstances of an event, the actual topography of a landscape—should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.”
—Walter Pater (1839–1894)
“No sooner had I glanced at this letter, than I concluded it to be that of which I was in search. To be sure, it was, to all appearance, radically different from the one of which the Prefect had read us so minute a description.... But, then, the radicalness of these differences ... these things ... were strongly corroborative of suspicion.”
—Edgar Allan Poe (1809–1849)
“There are many examples of women that have excelled in learning, and even in war, but this is no reason we should bring ‘em all up to Latin and Greek or else military discipline, instead of needle-work and housewifry.”
—Bernard Mandeville (1670–1733)