Works
- The Savior / Christ Showing His Wounds and the Host to a Clarissan Nun (1460–1478) : The painting was made for the monastery of Saint Clare on Murano island and shows a rather feminine Christ holding his wounded breast. Now in the Academia in Venice
painting 87 cm x 114 cm tempera and oil on panel
- Santa Lucia e storie della sua vita (Venice, around 1462 - 1478) (tempera)
- Il Trittico di Quirizio da Murano della Madonna dell'Umiltà (1461–1478) (triptych of Madonna of humility, with Saint Augustin and Saint Jerome on the left, and Saint Catherine and Saint Lucie on the right and The Virgin Adoring the Child in the center
Some of other works attributed to him may have been done by Bartolommeo Vivarini.
Read more about this topic: Quirizio Di Giovanni Da Murano
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“Again we mistook a little rocky islet seen through the drisk, with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
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“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
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“The difference between de jure and de facto segregation is the difference open, forthright bigotry and the shamefaced kind that works through unwritten agreements between real estate dealers, school officials, and local politicians.”
—Shirley Chisholm (b. 1924)