Plot
The plot features a series of interlocking stories. Each vignette is introduced with a character that had sex with someone in the previous segment. The movie opens with a seventeen-year-old prostitute, Lolita (Hilary Swank) who hangs around outside movie premiere with another teen prostitute in the hopes of getting a picture of her idol, movie star Peter Blaine (Peter Dobson). After her friend is forcibly dragged off by a jealous boyfriend, Lolita wanders around by herself in the streets of Los Angeles. Then she ends up performing a sexual favor for a man who ends up knocking her unconscious.
The man, a young African American named Angel, is engaged in questionable criminal activities. He later ends up trying to flee Los Angeles after he makes a major mistake during a drug deal. He takes Julie, a young waitress (Meta Golding), with him. After they have sex in a stolen car while driving through a car wash, Julie rethinks her plans to escape with Angel. After she notices that a car filled with men has been shadowing them, she runs out of the car. Angel is killed by the men.
Sometime later, Julie is working in an upscale restaurant as a waitress. She waits on Richard (Chad Lowe) who ends up sexually assaulting her in the men's room. In the next vignette, Richard has a tryst with Kathy (Natasha Gregson Wagner), his boss's wife. Kathy has a non-exclusive relationship with her husband, Bobby (Bill Cusack), who has a girlfriend on the side. Bobby is sexually propositioned by Patrick (Stephen Mailer), a sexually aggressive and drug addicted gay man, who is the closeted Blaine's boyfriend. The last vignette features a grief-stricken Blaine seeking sexual favors and companionship from Lolita, who is still sporting a bruise from her encounter with Angel.
Read more about this topic: Quiet Days In Hollywood
Famous quotes containing the word plot:
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)