Reception
The film received mixed reviews from critics; it made $6,041,602 on its opening weekend and $22,717,758 during its theatrical run in North America, and the studio lost about $40 million on the film. The film was largely overshadowed by Deep Impact and the opening weekend debut of The Horse Whisperer, and the following week by the hyped release of Godzilla.
David Kronke of the Los Angeles Times wrote that the film is "a nearly perfect reflection of troubling trends in animated features," called Kayley "a standard-issue spunky female heroine," and said that "Garrett's blindness is the one adventurous element to the film, but even it seems calculated; his lack of sight is hardly debilitating, yet still provides kids a lesson in acceptance". Kevin J. Harty, editor of a collection of essays called Cinema Arthuriana, says that the film is “slightly indebted to, rather than, as Warner publicity claims, actually based on” Chapman’s novel.
Read more about this topic: Quest For Camelot: Music From The Motion Picture
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)