Television
In September 2007, Elias appeared in an episode of MTV's, My Super Sweet 16 hired to perform at a Sweet Sixteen birthday event. He also made a special appearance on an episode of the television series The Things We Do for Love.
French television stations have made a number of reports on his progress including the program Incroyables destins under the title "Boy bands: L'argent, la gloire, puis la chute" in 2008, the station TF1 in the series Je realise mon rêve in 2009 and NRJ 12 in the series Tellement Vrai also in 2009
In 2012, he returned to French television through a reality television show L'Île des vérités (meaning the island of truths) in its second season on television station NRJ 12 as a guest musician/model, alongside musician Willy Denzey and television presenter Marlène Mourreau. The candidates Aurélie, Geoffrey, Cindy, Dimitri, Pietro, Samir, Florent, Ines, Léa, Priscilla and Anita are in Tahiti and have the task of organizing a fund raising concert in aid of needy children of the island. Quentin Elias and Willy Densey have to perform in the concert. But Quentin unexpectedly leaves the show after clashing with the organizers. But he has a change of heart and returns in a later episode to the show to take part in the charity event.
Read more about this topic: Quentin Elias
Famous quotes containing the word television:
“... there is no reason to confuse television news with journalism.”
—Nora Ephron (b. 1941)
“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)