Queluz National Palace - Interior

Interior

The interior of the palace received no less attention to detail and design than the exterior. French artisans were employed to decorate the rooms, many of which are small, their walls and ceilings painted to depict allegorical and historical scenes. Polished red bricks were frequently used for the floors, for a rustic appearance as well as coolness in hot weather. The many tall pavilions which link the various lower wings of the palace allow for a series of long low rooms broken by higher and lighter rooms. A predominant feature of the interiors are the azulejos: polychrome glazed tiles, often in a chinoiserie style with tones of blues and yellows contrasting with muted reds. Materials for use on the interior included stone imported from Genoa and woods from Brazil, Denmark and Sweden, while coloured marbles were imported from Italy. Many of the palace's rooms were severely damaged by fire in 1934, and much was lost.

Read more about this topic:  Queluz National Palace

Famous quotes containing the word interior:

    It cannot but affect our philosophy favorably to be reminded of these shoals of migratory fishes, of salmon, shad, alewives, marsh-bankers, and others, which penetrate up the innumerable rivers of our coast in the spring, even to the interior lakes, their scales gleaming in the sun; and again, of the fry which in still greater numbers wend their way downward to the sea.
    Henry David Thoreau (1817–1862)

    Anyone with a real taste for solitude who indulges that taste encounters the dangers of any other drug-taker. The habit grows. You become an addict.... Absorbed in the visions of solitude, human beings are only interruptions. What voice can equal the voices of solitude? What sights equal the movement of a single day’s tide of light across the floor boards of one room? What drama be as continuously absorbing as the interior one?
    Jessamyn West (1902–1984)

    The exterior must be joined to the interior to obtain anything from God, that is to say, we must kneel, pray with the lips, and so on, in order that proud man, who would not submit himself to God, may be now subject to the creature.
    Blaise Pascal (1623–1662)