Characters and Plot
The main characters are Stuart Alan Jones (Aidan Gillen), who is highly sexually active, and successfully so. His long-time friend Vince Tyler (Craig Kelly), who has a crush on Stuart, has less luck regarding men. 15-year-old Nathan Maloney (Charlie Hunnam) is new to the gay scene but is not lacking in self-confidence.
The producers say that Queer as Folk, although superficially a realistic depiction of gay urban life in the 1990s, is meant as a fantasy, and that Stuart, Vince, and Nathan are not so much characters as gay male archetypes.
Stuart, an advertising executive, possesses intrinsic power, able to bend anything to his will. Stuart's principal characteristic is that he does whatever he wants, whenever he wants, however he wants. He blows up a car belonging to his friend Alexander's antagonistic mother (in the second series). He invites Vince's female work colleague, who has a crush on closeted Vince, to Vince's birthday party and then introduces Vince's boyfriend. When offered a test drive of a Jeep by a car salesman who makes some homophobic comments, Stuart drives the car straight through the large window of the car dealership.
In the second series, the tone became somewhat more serious, with each of the main characters having to make hard choices concerning their futures.
A recurrent theme throughout the series is Vince's fandom of Doctor Who, with various scenes from the classic series being played (in one instance an awkward situation with a guy Vince brings home.) This is a small, yet significant piece to the series, as six years later Russell T Davies revived Doctor Who.
Read more about this topic: Queer As Folk (UK TV series)
Famous quotes containing the words characters and/or plot:
“The more gifted and talkative ones characters are, the greater the chances of their resembling the author in tone or tint of mind.”
—Vladimir Nabokov (18991977)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)