The Queensland Gallery of Modern Art (also known as GOMA) is part of the Queensland Cultural Centre at the South Bank area of South Brisbane. It holds most of Queensland Art Gallery's contemporary works, while also being the joint host to the current Asia-Pacific Triennial of Contemporary Art. The seventh APT is also being shown in the Queensland Art Gallery building, with displays across both sites making the exhibition twice the scale of previous Triennials.
On 2 December 2006, the Queensland Gallery of Modern Art (GoMA) opened. It is the Queensland Art Gallery's much-anticipated second building, and is the largest gallery of modern and contemporary art in Australia. Queensland's Gallery of Modern Art also houses Australia's first purpose built cinematheque. The gallery is situated on Kurilpa Point next to the Queensland Art Gallery and State Library of Queensland and faces the Brisbane River and the CBD, which is just across the river. The Gallery of Modern Art has a total floor area over 25,000 m² and the largest exhibition gallery is 1,100 m². The building was designed by Sydney architecture firm Architectus.
The gallery features art works from Australia, Asia, and countries within the Pacific region and includes the Australian Cinémathèque.
Read more about Queensland Gallery Of Modern Art: Architecture, Past Exhibitions, Recent/Future Exhibitions
Famous quotes containing the words gallery, modern and/or art:
“It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
—Anton Pavlovich Chekhov (1860–1904)
“The critical method which denies literary modernity would appear—and even, in certain respects, would be—the most modern of critical movements.”
—Paul Deman (1919–1983)
“There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in it—and no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment.”
—Harold C. Goddard (1878–1950)