The Queen Victoria Museum and Art Gallery (QVMAG) is a museum located in Launceston, Tasmania, Australia. Established in 1891, the Queen Victoria has a strong reputation for its excellent collection, which includes fine exhibitions of colonial art, contemporary craft and design, Tasmanian history and natural sciences, specifically a zoology collection. There is also a special exhibition of a full Chinese temple that was used by 19th-century Chinese tin miners, a working planetarium, and displays related to Launceston's industrial environment and railway workshops. The museum also houses the Victoria Cross awarded to Lewis McGee.
The Queen Victoria Museum and Art Gallery is located on two sites, one at Royal Park (41°26′16″S 147°08′02″E / 41.4378°S 147.1338°E / -41.4378; 147.1338 (Queen Victoria Museum and Art Gallery, Royal Park site)Coordinates: 41°26′16″S 147°08′02″E / 41.4378°S 147.1338°E / -41.4378; 147.1338 (Queen Victoria Museum and Art Gallery, Royal Park site)) and the other at Inveresk, the site of the old Launceston Railway Workshops (41°25′41″S 147°08′27″E / 41.4280°S 147.1407°E / -41.4280; 147.1407 (Queen Victoria Museum and Art Gallery, Inveresk site)). The QVMAG is the largest museum in Australia not located in a capital city.
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“In the early forties and fifties almost everybody “had about enough to live on,” and young ladies dressed well on a hundred dollars a year. The daughters of the richest man in Boston were dressed with scrupulous plainness, and the wife and mother owned one brocade, which did service for several years. Display was considered vulgar. Now, alas! only Queen Victoria dares to go shabby.”
—M. E. W. Sherwood (1826–1903)
“And thus Snow White became the prince’s bride.
The wicked queen was invited to the wedding feast
and when she arrived there were
red-hot iron shoes,
in the manner of red-hot roller skates,
clamped upon her feet.”
—Anne Sexton (1928–1974)
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—Anonymous Father. As quoted in Women and Their Fathers, by Victoria Secunda, ch. 3 (1992)
“A fallen tree does not rise again.”
—Hawaiian saying no. 2412, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart and democracy itself cannot function without the essential exchange of information. Creative leaks, a discreet lunch, interchange in the Lobby, the art of the unattributable telephone call, late at night.”
—Howard Brenton (b. 1942)
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (1817–1862)