The Queen Victoria Museum and Art Gallery (QVMAG) is a museum located in Launceston, Tasmania, Australia. Established in 1891, the Queen Victoria has a strong reputation for its excellent collection, which includes fine exhibitions of colonial art, contemporary craft and design, Tasmanian history and natural sciences, specifically a zoology collection. There is also a special exhibition of a full Chinese temple that was used by 19th-century Chinese tin miners, a working planetarium, and displays related to Launceston's industrial environment and railway workshops. The museum also houses the Victoria Cross awarded to Lewis McGee.
The Queen Victoria Museum and Art Gallery is located on two sites, one at Royal Park (41°26′16″S 147°08′02″E / 41.4378°S 147.1338°E / -41.4378; 147.1338 (Queen Victoria Museum and Art Gallery, Royal Park site)Coordinates: 41°26′16″S 147°08′02″E / 41.4378°S 147.1338°E / -41.4378; 147.1338 (Queen Victoria Museum and Art Gallery, Royal Park site)) and the other at Inveresk, the site of the old Launceston Railway Workshops (41°25′41″S 147°08′27″E / 41.4280°S 147.1407°E / -41.4280; 147.1407 (Queen Victoria Museum and Art Gallery, Inveresk site)). The QVMAG is the largest museum in Australia not located in a capital city.
Famous quotes containing the words queen victoria, queen, victoria, museum, art and/or gallery:
“In the early forties and fifties almost everybody “had about enough to live on,” and young ladies dressed well on a hundred dollars a year. The daughters of the richest man in Boston were dressed with scrupulous plainness, and the wife and mother owned one brocade, which did service for several years. Display was considered vulgar. Now, alas! only Queen Victoria dares to go shabby.”
—M. E. W. Sherwood (1826–1903)
“Half-opening her lips to the frost’s morning sigh, how strangely the rose has smiled on a swift-fleeting day of September!
How audacious it is to advance in stately manner before the blue-tit fluttering in the shrubs that have long lost their leaves, like a queen with the spring’s greeting on her lips;
to bloom with steadfast hope that, parted from the cold flower-bed, she may be the last to cling, intoxicated, to a young hostess’s breast.”
—Afanasi Fet (1820–1892)
“Sometimes my wife complains that she’s overwhelmed with work and just can’t take one of the kids, for example, to a piano lesson. I’ll offer to do it for her, and then she’ll say, “No, I’ll do it.” We have to negotiate how much I trespass into that mother role—it’s not given up easily.”
—Anonymous Father. As quoted in Women and Their Fathers, by Victoria Secunda, ch. 3 (1992)
“A fine-looking mill, but no machinery inside.”
—Hawaiian saying no. 1702, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“No theoretician, no writer on art, however interesting he or she might be, could be as interesting as Picasso. A good writer on art may give you an insight to Picasso, but, after all, Picasso was there first.”
—David Hockney (b. 1937)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
—Herman Melville (1819–1891)