Development
Warner Bros. had acquired the film rights to several of Anne Rice's novels — the first three Vampire Chronicles and The Mayfair Witches trilogy — after a 1988 takeover of Lorimar Productions. An eventual adaptation of Interview with the Vampire (directed by Neil Jordan and produced by David Geffen) was released in 1994, although not without controversy, particularly over fan reaction to the casting of Tom Cruise as Lestat, an objection initially shared by Anne Rice which she subsequently recanted after seeing the finished film.
After the commercial and critical success of Interview, Neil Jordan began initial development of the novel's sequel, The Vampire Lestat, although this went nowhere.
As the rights to the novels would revert to Anne Rice at the end of 2000, initial story meetings to adapt one or both of the remaining Vampire Chronicles began in 1998. The decision was made early to substantially rewrite the plot, and to base most of the movie on the third book: The Vampire Lestat was considered too broad and episodic for a two-hour feature film, although the novel's setup of Lestat's awakening and career as a rock star was used. It was also decided to focus on Lestat as the primary character, and the back story of Akasha and the Story of the Twins were omitted, despite these being virtually central to the plot of the novel.
Displeased with the lack of progress, and more particularly with the studio's lack of consultation with her over the script development, author Anne Rice wrote a critical reply to a fan's question about the film in 1998:
"The key factor is that the entire vampire contract terminates in the year 2000. All the properties revert back to me at that time, unless production commences—principal photography that is—before then. I don't think it is possible for Warner Bros. to develop anything in that amount of time."
"They have not been receptive to me or to my ideas at all."
"Not very long ago, less than a year ago in fact, I begged the executives there to let me write a script for THE VAMPIRE LESTAT for union scale (the Writers Guild won't let you write it for free) and a deferred payment not due until release of the picture. They simply weren't interested. It was very painful for me, as I had been talking to a new director they'd hired and we were both excited about the idea.
"I felt snubbed and hurt and have not bothered to approach them since. The young director is supposed to be developing THE QUEEN OF THE DAMNED which I think is a bad idea, and basically a doomed project.
"In spite of their showing no interest in me as the screen writer, they have not been able to find one themselves for this bizarre idea of THE QUEEN OF THE DAMNED. I'm not too surprised. I think any respectable script writer would be crazy to tackle that novel without having fully developed the background story of Lestat. Anyway, that is where it is."
Over the course of 1999, the script was developed by TV screenwriter Scott Abbott and Australian writer/director Michael Petroni. Another Australian, Michael Rymer, was confirmed to direct. Rymer suggested the film be shot in his home city of Melbourne, which would save considerably on production costs.
The first actor cast was R&B singer Aaliyah (who had made her film debut in Romeo Must Die) as Akasha, the eponymous Queen of the Damned. The search for an actor to play Lestat took much longer – the idea of Tom Cruise reprising the role was considered but dismissed – although front runners included Wes Bentley, Josh Hartnett and Heath Ledger. Irish actor Stuart Townsend assumed the role in 2000, and the final cast included Vincent Perez as Marius, Paul McGann as David Talbot, Lena Olin as Maharet and Marguerite Moreau as Jesse Reeves. Australian actors included Claudia Black as Pandora and Matthew Newton as Armand.
Read more about this topic: Queen Of The Damned (film)
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