Play
First, the player deals eleven overlapping cards in a row. These cards form the reserve or terrace. After leaving a space below the terrace for the foundations, the player lays four cards in a row. The player then chooses which of these four cards starts the first foundation. The player places the chosen card on the foundation row, immediately fills the gap it left with a new card from the stock. The player adds five new cards beside these four to form the tableau.
The player builds the foundations in alternating colors, wrapping from King to Ace if necessary. The cards on the tableau are available to build either on the foundations, or on other cards in the tableau. Cards on the tableau are built down on each other, also in alternating colors, and the player immediately fills any gap with a card from the stock. The player moves one card at a time, and when building cards form a column, only the top card is available for play. The top card (the exposed card) of the terrace is the only card available for play and the player can only use it to build on the foundations.
When there are no more possible moves on the tableau, the stock is dealt one card at a time and placed on the wastepile, the top card of which is available to be built on the foundations or the tableau. The top card of the wastepile is also used to fill a gap on the tableau whenever it occurs. However, when the stock runs out, there is no redeal; the game ends soon after.
The player wins the game when all cards end up in the foundations—and looses when stuck after dealing the entire stock.
See also: solitaire terminologyRead more about this topic: Queen Of Italy
Famous quotes containing the word play:
“And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.”
—T.S. (Thomas Stearns)
“There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.”
—Muriel Rukeyser (19131980)
“This play holds the seasons record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (18931967)