Play
First, the player deals eleven overlapping cards in a row. These cards form the reserve or terrace. After leaving a space below the terrace for the foundations, the player lays four cards in a row. The player then chooses which of these four cards starts the first foundation. The player places the chosen card on the foundation row, immediately fills the gap it left with a new card from the stock. The player adds five new cards beside these four to form the tableau.
The player builds the foundations in alternating colors, wrapping from King to Ace if necessary. The cards on the tableau are available to build either on the foundations, or on other cards in the tableau. Cards on the tableau are built down on each other, also in alternating colors, and the player immediately fills any gap with a card from the stock. The player moves one card at a time, and when building cards form a column, only the top card is available for play. The top card (the exposed card) of the terrace is the only card available for play and the player can only use it to build on the foundations.
When there are no more possible moves on the tableau, the stock is dealt one card at a time and placed on the wastepile, the top card of which is available to be built on the foundations or the tableau. The top card of the wastepile is also used to fill a gap on the tableau whenever it occurs. However, when the stock runs out, there is no redeal; the game ends soon after.
The player wins the game when all cards end up in the foundations—and looses when stuck after dealing the entire stock.
See also: solitaire terminologyRead more about this topic: Queen Of Italy
Famous quotes containing the word play:
“There are men from whom nature or some peculiar destiny has removed the cover beneath which we hide our own madness. They are like thin-skinned insects whose visible play of muscles seem to make them deformed, though in fact, everything soon turns to its normal shape again.”
—E.T.A.W. (Ernst Theodor Amadeus Wilhelm)
“We [actors] are indeed a strange lot! There are times we doubt that we have any emotions we can honestly call our own. I have approached every dynamic scene change in my life the same way. When I married Charlie MacArthur, I sat down and wondered how I could play the best wife that ever was.... My love for him was the truest thing in my life; but it was still important that I love him with proper effect, that I act loving him with great style, that I achieve the ultimate in wifedom.”
—Helen Hayes (1900–1993)
“One way to think about play, is as the process of finding new combinations for known things—combinations that may yield new forms of expression, new inventions, new discoveries, and new solutions....It’s exactly what children’s play seems to be about and explains why so many people have come to think that children’s play is so important a part of childhood—and beyond.”
—Fred Rogers (20th century)