Queen of Italy - Play

Play

First, the player deals eleven overlapping cards in a row. These cards form the reserve or terrace. After leaving a space below the terrace for the foundations, the player lays four cards in a row. The player then chooses which of these four cards starts the first foundation. The player places the chosen card on the foundation row, immediately fills the gap it left with a new card from the stock. The player adds five new cards beside these four to form the tableau.

The player builds the foundations in alternating colors, wrapping from King to Ace if necessary. The cards on the tableau are available to build either on the foundations, or on other cards in the tableau. Cards on the tableau are built down on each other, also in alternating colors, and the player immediately fills any gap with a card from the stock. The player moves one card at a time, and when building cards form a column, only the top card is available for play. The top card (the exposed card) of the terrace is the only card available for play and the player can only use it to build on the foundations.

When there are no more possible moves on the tableau, the stock is dealt one card at a time and placed on the wastepile, the top card of which is available to be built on the foundations or the tableau. The top card of the wastepile is also used to fill a gap on the tableau whenever it occurs. However, when the stock runs out, there is no redeal; the game ends soon after.

The player wins the game when all cards end up in the foundations—and looses when stuck after dealing the entire stock.

See also: solitaire terminology

Read more about this topic:  Queen Of Italy

Famous quotes containing the word play:

    There is a disease to which plays as well as men become liable with advancing years. In men it is called doting, in plays dating. The more topical the play the more it dates.
    George Bernard Shaw (1856–1950)

    In a good play every speech should be as fully flavoured as a nut or apple.
    —J.M. (John Millington)

    Mind in its purest play is like some bat
    That beats about in caverns all alone,
    Contriving by a kind of senseless wit
    Not to conclude against a wall of stone.
    Richard Wilbur (b. 1921)