Queen Live Performances
The English rock band Queen is well known for its prowess as a live musical act. A diverse catalogue of songs, massive sound systems, huge lighting rigs, an arsenal of pyrotechnics and many extravagant costumes helped turn shows into entertaining, theatrical events. As both lead vocalist and front man, Freddie Mercury was able to immerse himself in the audience's adulation and thrived on their excitement – an ability for which many artists, such as Bob Geldof, David Bowie, George Michael, Kurt Cobain (in his possible suicide note), and Robbie Williams have expressed great admiration.
Queen wrote a number of songs, "We Will Rock You" and "We Are the Champions", for example, with the specific goal of audience participation. Songs such as "Radio Ga Ga" came to inspire actions like synchronised hand-clapping (this particular hand-clapping routine, originating from the song's video, was actually the invention of the video's director, David Mallet). This contributed to Queen's memorable appearance at Live Aid, where the 75,000 strong crowd at Wembley Stadium sang at a loud volume and clapped their hands in unison to the song. Queen's performance at Live Aid was voted by a large selection of musicians and critics to be the greatest live show of all time.
Read more about Queen Live Performances: 1970s, 1980s, 1990s, Queen's Line-up (live)
Famous quotes containing the words queen, live and/or performances:
“We used chamber-pots a good deal.... My mother ... loved to repeat: “When did the queen reign over China?” This whimsical and harmless scatological pun was my first introduction to the wonderful world of verbal transformations, and also a first perception that a joke need not be funny to give pleasure.”
—Angela Carter (1940–1992)
“You shall become engaged to a woman, but another man shall lie with her. You shall build a house, but not live in it. You shall plant a vineyard, but not enjoy its fruit.”
—Bible: Hebrew, Deuteronomy 28:30.
“This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (1893–1967)