Later Years
In 1617 the company moved to the Cockpit Theatre, in the increasingly fashionable Drury Lane. This final move, which brought significantly higher admission prices, engendered indignation among their audience: the Cockpit was set on fire during a Shrove Tuesday riot in 1617 and had to be rebuilt. The Queen's troupe seems to have remained at the Cockpit for only a relatively brief time; within a couple of years they were back at the Red Bull.
The actors lost their patron at the death of Queen Anne in 1619; they continued on as the Company of the Revels, often known simply as the Red Bull Company after their theatre. Their final years were marked by a major legal dispute: Thomas Greene's widow, remarried as Susan Baskervile, sued for moneys owed her through her late husband's share in the troupe and loans she had extended over the years. The outcome of the so-called Baskerville or Worth/Baskerville suit was that the actors lost and the company was forced to dissolve in 1623.
Some members moved on to other troupes; Richard Perkins, for example, would acquire a reputation as perhaps the major tragedian of his generation while acting with Queen Henrietta's Men from 1625 to 1642. Christopher Beeston would attain prominence as the dominant theatre manager and impressario of the 1620s and 1630s.
Read more about this topic: Queen Anne's Men
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