American Queen Anne Style
In the United States, the so-called "Queen Anne style" is loosely used of a wide range of picturesque buildings with "free Renaissance" (non-Gothic Revival) details rather than of a specific formulaic style in its own right. "Queen Anne", as an alternative both to the French-derived Second Empire and the less "domestic" Beaux-Arts architecture, is broadly applied to architecture, furniture and decorative arts of the period 1880 to 1910; some "Queen Anne" architectural elements, such as the wraparound front porch, continued to be found into the 1920s.
The gabled and domestically scaled, "Queen Anne" style arrived in New York City with the new housing for the New York House and School of Industry Sidney V. Stratton, architect, 1878). Distinctive features of American Queen Anne style (rooted in the English style) may include an asymmetrical facade; dominant front-facing gable, often cantilevered out beyond the plane of the wall below; overhanging eaves; round, square, or polygonal tower(s); shaped and Dutch gables; a porch covering part or all of the front facade, including the primary entrance area; a second-story porch or balconies; pedimented porches; differing wall textures, such as patterned wood shingles shaped into varying designs, including resembling fish scales, terra cotta tiles, relief panels, or wooden shingles over brickwork, etc.; dentils; classical columns; spindle work; oriel and bay windows; horizontal bands of leaded windows; monumental chimneys; painted balustrades; and wooden or slate roofs. Front gardens often had wooden fences.
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