Literature
Although the body of literature in Quechua is not as sizable as its historical and present-day prominence would suggest, it is nevertheless not negligible.
As in the case of the Mesoamerican civilizations, there are a number of surviving Andean documents in the local language that were written down in Latin characters after the European conquest, but which express to a great extent the culture of pre-conquest times. The Quechua literature of this type is somewhat scantier, but nevertheless significant. It includes the so-called Huarochiri manuscript (1598), describing the mythology and religion of the valley of Huarochirí, as well as Quechua poems quoted within the Spanish-language texts of some chronicles dealing with the pre-conquest period. There are a number of anonymous or signed Quechua dramas dating from the post-conquest period (starting from the 17th century), some of which deal with the Inca era, while most are on religious topics and of European inspiration. The most famous of these dramas are Ollanta and the plays describing the death of Atahualpa. For example, Juan de Espinosa Medrano wrote several dramas in the language. Poems in Quechua were also composed during the colonial period.
Dramas and poems continued to be written in the 19th and especially in 20th centuries as well; in addition, in the 20th century and more recently, more prose has been published. While some of that literature consists of original compositions (poems and dramas), the bulk of 20th century Quechua literature consists of traditional folk stories and oral narratives. Johnny Payne has translated two sets of Quechua oral short stories, one into Spanish and the other into English.
Many Andean musicians write and sing in their native languages, including Quechua and Aymara. Notable musical groups are Los Kjarkas, Kala Marka, J'acha Mallku, Savia Andina, Wayna Picchu, Wara and many others.
Read more about this topic: Quechua Languages
Famous quotes containing the word literature:
“Poetry, it is often said and loudly so, is life’s true mirror. But a monkey looking into a work of literature looks in vain for Socrates.”
—Franz Grillparzer (1791–1872)
“But it is fit that the Past should be dark; though the darkness is not so much a quality of the past as of tradition. It is not a distance of time, but a distance of relation, which makes thus dusky its memorials. What is near to the heart of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,—nor Phidias, nor the Parthenon.”
—Henry David Thoreau (1817–1862)
“Most literature on the culture of adolescence focuses on peer pressure as a negative force. Warnings about the “wrong crowd” read like tornado alerts in parent manuals. . . . It is a relative term that means different things in different places. In Fort Wayne, for example, the wrong crowd meant hanging out with liberal Democrats. In Connecticut, it meant kids who weren’t planning to get a Ph.D. from Yale.”
—Mary Kay Blakely (20th century)