Plot
A pre-human skull is discovered while building works are taking place in the fictional Hobbs Lane (formerly Hob's Lane, from an old name for the Devil) in Knightsbridge. Dr Matthew Roney, a paleontologist, examines the recovered remains, which are many thousands of years old, and reconstructs a dwarf-like humanoid with an unusually large brain volume, which he believes to be a form of primitive man. As further excavation is undertaken on the site, something that looks like a missile is unearthed; further work by Roney's group is halted as the military believe it to be an unexploded bomb left over from World War II.
Roney calls in his old friend Professor Bernard Quatermass of the British Rocket Group, an expert on matters of unusual scientific background, to stop the military from disturbing what he believes to be an archaeological find. Quatermass and Colonel Breen, who has been placed in charge of the Rocket Group over Quatermass's objections, become intrigued by the site. More and more of the artefact is uncovered, and additional fossils are found inside which Roney dates to five million years in age—suggesting that the object is at least that old as well. The interior is empty, but a symbol consisting of five intersecting circles, which Roney identifies as the occult pentagram, is found etched on an interior wall which appears to hide an inner chamber.
The shell of the object is so hard that even a borazon drill makes no impression, and when the attempt is made, strange vibrations cause severe distress in the people around the object. Quatermass interviews the local residents and discovers that sightings of ghosts and other poltergeist activity have been common in the area for decades. Meanwhile, a soldier is carried out of the object in hysterics — he claims to have seen a dwarf-like apparition walk through the wall of the artefact, a description which matches a 1927 newspaper account of a ghost sighting.
Following the drilling attempt, a hole has somehow opened up in the wall which allows Quatermass and the others access to the interior chamber. There they find the remains of insect-like aliens resembling giant three-legged locusts, with stubby antennae on their heads giving the impression of horns. As Quatermass and Roney examine the remains, they theorise that the aliens might have come from a nearby planet which was habitable five million years ago — Mars.
Meanwhile, the borazon drill operator clearing his equipment from the craft triggers off more poltergeist activity. The operator is forced to run through the streets in a dazed panic until he finds sanctuary inside a local church. Quatermass and Roney find him there, and he describes visions of the insect aliens killing each other. As Quatermass investigates deeper into the history of the area, he finds accounts dating back to medieval times about devils and ghosts, all tending to be centred on incidents where the ground was disturbed. He suspects that somehow a psychic projection of these beings has remained behind on the alien ship and is being seen by certain people who come in contact with it.
Quatermass plans to use an invention of Roney's, an "optic-encephalogram", to see these visions. The device will record impressions from the optical centres of the brain, in effect showing whatever the subject is seeing, hallucinatory or not. He wears the device and goes into the craft, but it is Roney's assistant, Barbara Judd, who is affected most. Placing the device on her, they record what she "sees"—a violent, bloody purge of the Martian hive, to root out unwanted mutations.
Quatermass begins to have a working theory as to what is going on. He believes that in its most primitive phase mankind was visited by this race. Some humans were taken away and genetically altered to have special abilities such as telepathy, telekinesis and other psychic powers. They were then brought back to Earth — the buried artefact was one of the return ships that had crashed. The idea was that, with their home world dying, the aliens had tried to change humanity's ancestors to have minds and abilities like theirs, created in their own mental image, but with a bodily form adapted to Earth. In effect, humanity are the Martians.
However, the plan was a partial failure: the aliens died out before completing their work, and as the human race bred and further evolved, only a percentage of it retained these abilities, with even these only surfacing sporadically. For centuries the buried ship itself had been occasionally triggering these dormant abilities. This explained the reports of poltergeists, people were unknowingly using their own telekinesis to move objects around them, the ghost sightings being traces of a race memory. It also explained the history of witchcraft and why people attributed it to a being they identified as the devil; the pentagram would have been the symbol for this alien race.
The government authorities, and Breen in particular, find this explanation preposterous despite being shown the recording of Barbara's vision. They believe that the craft is actually a Nazi propaganda weapon and the alien bodies fakes designed to create exactly the impressions that Quatermass has come to. They attribute the vision to an overactive imagination, and intend to hold a media event to halt the rumours that are already flitting through the population. However, Quatermass realises that if these implanted psychic powers survive in the human race, there could also still be ingrained in us a compulsion to enact the "Wild Hunt" of a race purge. Quatermass is concerned that the memories encoded inside the ship, which have already been picked up by sensitive people near it, will trigger that impulse and that those affected will begin to slaughter their own.
Despite his warnings, the media event occurs, and the power cables that string into the craft fully activate it for the first time. Glowing and humming like a living thing, it starts drawing upon this energy source and awakening the ancient racial programming. Those people of London in whom the alien admixture remains strong fall under the ship's influence; they merge into a group mind and begin a telekinetic mass murder of those without the alien genes, an 'ethnic cleansing' of those that the alien race mind considers impure and weak.
Breen stands transfixed and is eventually consumed by the energies from the craft as it slowly melts away and a holographic image of a Martian "devil" floats in the sky above London. Fires and riots spread, and even a passing aircraft is affected and crashes into the city. Quatermass himself almost succumbs to the mass psychosis, attempting to kill Roney, who does not have the alien gene and is immune to the influence. Roney manages to shake Quatermass out of his trance, and together they realise that the floating image is the source of the mass psychosis. Even without the craft and electricity, it is now draining the combined psychic energy of London.
Remembering the legends of demons and their aversion to iron and water, Roney deduces that a sufficient mass of iron connected to wet earth may be enough to short the apparition out. Quatermass (via another soldier, Captain Potter) gets a length of iron chain and tries to reach the "devil" but succumbs to the psychic pressure. Roney manages to walk up to the "devil" and hurls the chain, but both he and the craft are reduced to ashes.
Some time later Quatermass holds a television broadcast, in which he praises Roney's sacrifice, saying that they now are armed with knowledge that will allow them to deal with any more Martian artefacts. He also warns that now that we are aware of the dark urges implanted within us all, we have to be careful about wars, witch-hunts and other communal violence — lest we Martians turn the Earth into a second dead planet.
Read more about this topic: Quatermass And The Pit
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“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no ones actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)