Quartermaine's Terms - Plot

Plot

The play takes place over a period of two years in the 1960s in the staffroom at a Cambridge school for teaching English to foreigners. It deals with the interrelationship between seven teachers at the school in particular that between St John (pronounced 'Sinjon') Quartermaine and the others.

The dominant theme is loneliness and during the course of the play all of the characters experience the trauma of being or feeling alone. Mark’s wife leaves him; Derek, from Hull, finds Cambridge initially unwelcoming; Eddie is ultimately bereaved by the loss of a partner; Anita’s husband is a philanderer; Henry is trapped in a dysfunctional nuclear family and Melanie is similarly trapped caring for a Mother who she despises. Quartermaine is a painfully lonely bachelor with seemingly no friends or hinterland other than his colleagues at the school.

The events in the lives of the teachers take place off stage and involve characters who do not appear. Quartermaine’s Terms is a quintessentially British play and Simon Gray pokes gentle fun at the British penchant for “muddling through” and “not complaining” – coupled with a tendency not to take firm action when necessary. Quartermaine is clearly an incompetent teacher but Eddie and his partner Thomas (who we do not see) avoid the need to get rid of him out of kindness and fear of embarrassment. The verbal style is characteristically British with form and euphemism dominant and with real issues constantly being ducked out of politeness. When clouded signals are offered (especially signals that suggest a character needs help) they are so obscure that it is possible for others to ignore them – and they usually do.

Whilst the play is at times highly comical it has a very serious theme and the struggles of each character with their own type of loneliness are moving and sad. Above all Quartermaine himself is an increasingly pathetic figure lost in his own confused thoughts - and ultimately deserted. His future as the play closes is poignantly bleak.

Read more about this topic:  Quartermaine's Terms

Famous quotes containing the word plot:

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)

    The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.
    Charles Dickens (1812–1870)

    “The plot thickens,” he said, as I entered.
    Sir Arthur Conan Doyle (1859–1930)