Quality Comics - List of Titles Published By Quality Comics

List of Titles Published By Quality Comics

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  • All Humor Comics #1-17 (1946-1949)
  • The Barker #1-15 (1946-1949)
  • Blackhawk #9-107 (1944-1956; formerly Uncle Sam Quarterly #1-8; Blackhawk #108-273 subsequently published by DC Comics, 1957-1983)
  • Bride's Romance #1-23 (1953-1956)
  • Broadway Romances #1-3 (1950)
  • Buccaneers #19-27 (1950-1951; formerly Kid Eternity #1-18)
  • Buster Bear #1-10 (1953-1955)
  • Campus Loves #1-5 (1949-1950)
  • Candy #1-64 (1947-1956)
  • Crack Comics #1-62 (1940-1949; Crack Western #63 onward)
  • Crack Western #63-84 (1949-1953; formerly Crack Comics #1-62; Jonesy #85 onward)
  • Diary Loves #2-31 (1949-1953; formerly Love Diary #1; G.I. Sweethearts #32 onward)
  • Doll Man #1-47 (1941-1953)
  • Exotic Romances #22-38 (1955-1956; formerly True War Romances #1-21)
  • Exploits of Daniel Boone #1-6 (1955-?)
  • Feature Comics #21-144 (1939-1950; formerly Feature Funnies #1-20, published by Harry "A" Chesler, 1937-1939)
  • Flaming Love #1-6 (1949-1950)
  • Forbidden Love #1-4 (1950)
  • Gabby #11; issue numbering restarts, #2-9 (1953-1954; formerly Ken Shannon)
  • G.I. Combat #1-43 (1952-1956; #44-281 subsequently published by DC Comics, 1957-1987)
  • G.I. Sweethearts #32-45 (1953-1955; formerly Diary Loves #2-31; #46 onward Girls in Love)
  • Girls in Love #46-57 (1955-1956; formerly G.I. Sweethearts #32-45)
  • Heart Throbs #1-46 (1949; #47-146 subsequently published by DC Comics, 1957-1972; retitled Love Stories, #147-152, 1972-1973)
  • Hit Comics #1-65 (1940-1950)
  • Hollywood Diary #1-5 (1949-1950)
  • Hollywood Secrets #1-6 (1949-1950)
  • Jonesy #85; issue numbering restarts, 2-8 (1953-1954; formerly Crack Western #1-84)
  • Ken Shannon #1-10 (1951-1953; Gabby #11 onward)
  • Kid Eternity #1-18 (1946-1949; Buccaneers #19 onward)
  • Lady Luck #86-90 (1949-1950; formerly Smash Comics #1-85)
  • Love Confessions #1-54 (1949-1956)
  • Love Diary #1 (1949; Diary Loves #2 onward)
  • Love Letters #1-51 (1949-1956)
  • Love Scandals #1-5 (1950)
  • Love Secrets #32-56 (1953-1956)
  • Marmaduke Mouse #1-65 (1946-1956)
  • Military Comics #1-43 (1941-1945; Modern Comics #44 onward)
  • Modern Comics #44-102 (1945-1950; previously Military Comics #1-43)
  • National Comics #1-75 (1940-1949)
  • Plastic Man #1-64 (1943-1956)
  • Police Comics #1-127 (1941-1953)
  • Range Romances #1-5 (1949-1950)
  • Robin Hood Tales #1-6 (1956; #7-14 subsequently published by DC Comics, 1957-1958)
  • Secret Loves #1-6 (1949-1950)
  • Smash Comics #1-85 (1939-1949; Lady Luck #86 onward)
  • The Spirit #1-22 (1944-1950)
  • T-Man #1-38 (1951-1956)
  • Torchy 1-6 (1949-1950)
  • True War Romances #1-21 (1952-1955; Exotic Romances #22 onward)
  • Uncle Sam Quarterly #1-8 (1941-1943; Blackhawk #9 onward)
  • Untamed Love #1-5 (1950)
  • Web of Evil #1-21 (1952-1954)
  • Wedding Bells #1-19 (1954-1956)
  • Yanks in Battle #1-4 (1956)

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    Religious literature has eminent examples, and if we run over our private list of poets, critics, philanthropists and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.
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    Modern tourist guides have helped raised tourist expectations. And they have provided the natives—from Kaiser Wilhelm down to the villagers of Chichacestenango—with a detailed and itemized list of what is expected of them and when. These are the up-to- date scripts for actors on the tourists’ stage.
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    Each class of society has its own requirements; but it may be said that every class teaches the one immediately below it; and if the highest class be ignorant, uneducated, loving display, luxuriousness, and idle, the same spirit will prevail in humbler life.
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    The past is interesting not only for the beauty which the artists for whom it was the present were able to extract from it, but also as past, for its historical value. The same goes for the present. The pleasure which we derive from the representation of the present is due not only to the beauty in which it may be clothed, but also from its essential quality of being present.
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